My artistic practice moves between sculpture, installation, and image-making, often using machine-based fabrication processes.

The works circle around the relationship between bodies, materials, and technology, and the conditions through which they affect and transform each other. I am interested in the tension between supposedly immaterial virtual forms and the material infrastructures they rely on, as well as in the cooperation between human and machine as an active part of the artistic process.
Rather than treating machines as neutral tools, I understand them as collaborators within a wider field of constraints, decisions, translations, and material responses.

The resulting works often appear fragile, suspended, or held in place, pointing to states of dependency rather than autonomy. In doing so, I explore how artificial, organic, and industrial systems have become increasingly entangled, and how simulation is no longer separate from reality but part of how it is shaped.

I also work with the artist-led collective room69 on various projects and installations.